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Sunday, March 13, 2016

I spent $8,000 on clothes to find love on ‘The Bachelor’

Now finishing its 20th season, the TV show The Bachelor has harnessed the magical formula of drama, tears and the everlasting hope of finding a soul mate, and turned it into one of the longest running reality franchises on U.S. television.

Each season, a bachelor or bachelorette looks to find a fiancée among a group of 30 contestants. Though the featured bachelor or bachelorette each season receives some sort of compensation — usually over $100,000 a season according to reality television blogs — contestants say they are not paid for their time on the show.

The show features well-groomed men and women discussing their fear of intimacy in a glamorous Los Angeles mansion and various tropical locales, however, the televised journey for love can take just as big a hit on their finances as it does on their self-confidence.


Contestants do receive gift bags with sponsored items like bathing suits and yoga mats, and some have been able to parlay their appearance on the show into a media career. However, preparing for the show and living with reality television fame can be no bed of roses (excuse the pun) when it comes to keeping your savings account intact.

Here’s how the show works: Each week the bachelor or bachelorette sends home a number of hopefuls until one is left standing. The season typically ends in a proposal, though only one couple from The Bachelor and three couples from The Bachelorette are currently married. (Another bachelor, Jason, did Mesnick,marry a contestant, though not the one he originally chose.) The show’s host, Chris Harrison, has become a household name and the spokesman for romance, as contestants experience their 15 minutes of fame, often followed by appearances in spinoffs like “Bachelor in Paradise” and a spike in their Instagram followers.

On one episode this season, two of the contestants claim another contestant, Olivia Caridi, a local news anchor, spent $40,000 on her wardrobe for the show. Caridi didn’t respond to a request for comment, but the figure isn’t out of the realm of possibility. Former contestants say that they were required to provide most of their own wardrobe and makeup, and when you need to regularly impress a bachelor or bachelorette at fancy cocktail parties, that bill can add up.

“I had remortgaged my house and I spent something like $8,000 on clothing,” wrote Jillian Harris, who was the second runner-up on the 13th season of “Bachelor” and was later the star of the fifth season of “Bachelorette,” on her blog. Other contestants have been more thrifty, signing sponsorship deals with clothing labels or borrowing from friends.“I have really great friends, and they have even better closets,” says Lesley Murphy, a former political consultant and contestant on season 17 of “Bachelor,” in an interview with MarketWatch. “Other people said they spent a ton, a lot of people came with four or five bags,” she says, adding that some contestants who came with large wardrobes were still sent home on the first night.

After completing various interviews, questionnaires and background checks, contestants typically find out that they have been accepted to the show about two to three weeks before filming begins. In that time, they have to inform their employer — if they have a job — that they will be gone for anywhere from a week to a month and a half, assemble a TV-ready wardrobe and settle their finances for the next six weeks, since they are not allowed to have access to their phone, the Internet or television during filming.

“I only had about two and a half weeks from when I officially got the word,” says JJ Lane, a former investment banker and a contestant on the 11th season of The Bachelorette, in an interview with MarketWatch. “I had to set up auto bill pay and give my parents my deposit slips and access to email passwords.” As far as wardrobe, Lane says he only bought one new suit for the show, but other contestants showed up with “gobs and gobs” of new clothes.

Once filming begins, contestants stay in the “Bachelor Mansion” — an 8,000 square-foot house near Los Angeles complete with six bedrooms, nine bathrooms, a four-car garage and a pool. The house is currently worth about $7.7 million, according to real estate information company Zillow. As the cast is whittled down after weekly rose ceremonies (if you don’t get a rose, you go home), the group typically travels to other U.S. cities and, later, foreign destinations.

During each episode, contestants accompany the bachelor or bachelorette on various group dates or one-on-one dates, flying in helicopters, relaxing in hot tubs or engaging in performance or athletic competitions led by celebrities like comedian Amy Schumer and Laila Ali, a retired professional boxer and daughter of Muhammad Ali.

When they’re not on dates or filming interviews with producers, contestants are left to pass the time in the mansion or hotel without many distractions. “Filming was mentally and physically exhausting,” Murphy says. “I had to take time out every day to be alone with myself.”

The show provides food for contestants, but when staying in the mansion, any cooking, laundry and other chores are up to them. Some activities have to be improvised — Murphy says a beaten path in the backyard served as a running track for contestants who wanted to exercise in between filming sessions. Though contestants may access a phone in cases of emergency or to talk to their children, most other media, including books, aren’t allowed. “You never really go offline like you do on the show,” Murphy says.

For some, that isolation can be relaxing. “My favorite part was being disconnected,” Lane says. Cast members can lounge by the pool, and drink and eat without being bothered by work emails or phone calls
.

After the rose ceremony

When the season ends, it is back to reality for the temporary television stars. In some cases, like Murphy’s, contestants have been able to return to their former jobs and resume a relatively normal life. (Murphy ended up leaving her job after a few months to pursue a marketing career in Argentina and now runs her own travel blog.)

Others, especially those who are portrayed negatively on the show, have had more trouble. On the show, contestants have claimed to have quit their job to prove their commitment to the process. Lane, who was unemployed when he went on the show after working in corporate finance at J.P. Morgan and other firms, says he has had trouble re-entering the industry. “I didn’t understand the magnitude of the show and how hard it is to get a real job right after,” Lane says. “Everyone knows who you are and employers see it as a distraction.” Lane first appeared on the franchise nearly a year ago, and is still undergoing his job search.

It is possible to financially benefit from that fame, but the returns are minimal for most people. Lane estimates that former contestants can make about $2,000 to $3,000 for appearances at bars or other venues, and promoting products on personal social media accounts usually doesn’t add up to a livable salary unless you’ve gained more than a million followers. “It’s not a way to make a living, it is more of a supplemental way to get something out of being on the show.”

Despite the downsides to reality TV fame, both Lane and Murphy say they don’t regret the experience because of the transition it brought to their lives — for better or worse. “It came at a great time in my life. I came away with a lot of great friends,” Murphy says.

“Everyone has different reasons they do it,” Lane adds. “I did it because I needed a change in my life coming out of a divorce. It was completely opposite from everything in my life up until then.”


‘Legally Blonde’ chihuahua dead at 18

Moonie, the chihuahua who famously portrayed Elle Woods’ dog, Bruiser, in “Legally Blonde” has passed away, the film’s star, Reese Witherspoon, revealed on Friday.With a sad heart, I have to let all the #LegallyBlonde fans know that Bruiser Woods (also known as Moonie) passed away yesterday. He was a sweet little Chihuahua who was very loved. I will never forget all the days we spent together . . . I’m sure his tail is wagging in the sky,” the actress wrote on Instagram. Moonie was a rescue before landing the cushy “Blonde” gig, in which he can frequently be seen donning Tiffany & Co. necklaces and designer sweaters in Bruisers’ signature color: pink.
Though Moonie is best known for his work in the 2001 hit flick, he had a more prominent role in the film’s sequel, “Legally Blonde 2: Red, White & Blonde.” In the film, Elle Woods hires a detective to find Bruiser’s mother so that she can be invited to Elle and Emmett’s (Luke Wilson) wedding. When it’s discovered that Bruiser’s mother is being used for testing at a cosmetics company, Elle goes to Washington, DC, to pass “Bruiser’s Bill,” to outlaw animal testing. It’s later revealed in the film that Bruiser is gay, and has taken up a relationship with a Rottweiler.
Moonie’s trainer, Sue Chipperton, said the dog was 18 at the time of his passing.
 credit by:http://nypost.com/2016/03/12/legally-blonde-chihuahua-dead-at-18/

Iron Maiden plane suffers severe damage in Chile

Veteran metal band Iron Maiden will have to find alternate transportation for the South American leg of their tour after their official plane sustained major engine damage Saturday during a fuel stop in Santiago, Chile.

Thankfully, there was no fire or fuel spilled and the band, its support crew and equipment were not on board at the time.

On the band's website, they explained that their aircraft, nicknamed Ed Force One, damaged while on the ground and being towed in from the runway. 

"Ed Force One was tethered to a tow truck to be taken for refuelling prior to flying over the Andes to Cordoba for the next show. On moving  the steering pin that is part of the mechanism that connects the ground tug to the aircraft  seemingly fell out. On making a turn the aircraft had no steering and collided with the ground tug badly damaging the undercarriage, two of the aircrafts engines and  injuring two ground tug operators, both of whom have been taken to hospital. We hope, of course, that they make a full and speedy recovery and we will be closely monitoring their progress. The flight engineers are on site and evaluating the damage, but their initial report is that the engines have suffered large damage and will require an extended period of maintenance and possibly two new engines."

They added that they were making alternate transportation plans so that they could make scheduled tour stops in Cordoba and Buenos Aires.

credit by:http://www.msn.com/en-us/music/news/iron-maiden-plane-suffers-severe-damage-in-chile/ar-AAgHzbk?fullscreen=true#image=2

Saturday, March 12, 2016

Marie Antoinette loved cake, big hair and this artist

Before Marie Antoinette lost her head, her favorite portrait painter kept her own by fleeing France.

The artist was Elisabeth Louise Vigée Le Brun, who saw which way the wind was blowing in 1789, when 7,000 pitchfork-waving women marched on Versailles. Madame Le Brun packed up her brushes and her 8-year-old daughter and, leaving her husband behind, hopped a coach to Italy.

Four years later, the queen who cried “Let them eat cake!” met the guillotine. Meanwhile, Vigée Le Brun painted her way across Europe. In 1842, she died in Paris — a worldly, successful woman of 86, with 660 portraits and 200 landscapes to her name.

It took about 170 years, but France’s last great royal portraitist has finally won her own Met retrospective. And one of the nicest surprises, says curator Katharine Baetjer, is just how well the 80 oils and pastels on display have aged: “The more closely you look at them, the more beautiful they are.”

Don’t miss the portraits of the artist’s first royal patron, Marie Antoinette, one of which shows her in red, surrounded by her children. The queen and the painter were only a few months apart in age. Each lost a child during the time they were together, Baetjer says, which may have generated some sympathy between them — though Vigée Le Brun, a hairdresser’s daughter, was hardly considered a peer.Even so, her noble subjects, male and female, seem relaxed, thanks to the artist’s efforts to make them comfortable. In her self-portraits, she even shows some teeth when she smiles — a rather scandalous departure during a tight-lipped time.

Since Vigée Le Brun published her memoirs, we know a little about the people she painted, some more pampered than others. As you gaze upon a portrait of Russian Countess Skavronskaya, you might like to know how she relaxed at bedtime: by having a slave lie under her bed and read to her.

And we wonder why there are revolutions.

“Vigée Le Brun: Woman Artist in Revolutionary France,” through May 15 at the Met, Fifth Avenue at 82nd Street; metmuseum.org 

credit by:http://nypost.com/2016/03/12/marie-antoinette-loved-cake-big-hair-and-this-artist/

Eminem has a man-crush on Donny Osmond

In the HBO series “Vinyl,” New York City record executive Richie Finestra (played by Bobby Cannavale) can’t give away the Donny Osmond records his label puts out. But the reality in the early 1970s was much different.

“I was getting gold records all the time back then,” Osmond tells The Post. “They’re trying to make an interesting TV show, and I became the butt of the jokes, but I understand. I’m not sure if I would buy the music I was making back then!”

His old bubble-gum image is one that Osmond has struggled with but now fully embraces. Ahead of his show at Staten Island’s St. George Theatre on Sunday, the 58-year-old child star talks about his friendship with Michael Jackson, his take on modern artists, and his unlikeliest fans.

At the height of your ’70s childhood fame, how much control did you have over your own career?
The president of MGM at the time said, “I don’t care what he’s singing, just get him on tape and get an album out.” I listened to songs five minutes before I recorded them. It didn’t matter — I had to do it. I even did a song called “Lollipops, Lace and Lipstick.” I mean, come on. Shoot me!

How do you feel about the old hits like “Puppy Love” now?
I sing “Puppy Love” with respect, but I used to make fun of it. One time I was in Jersey around 1990, and we did a punk version of it. But as I was leaving the theater, there was a lady by the stage door who said, “Why did you make fun of ‘Puppy Love’ ?” I said, “Because it’s my song and I can do whatever I want.” And she said, “That song is a big part of my childhood memories, and you have no right to mess with my memories.” That made me realize my songs belong to a lot of people. Do you ever have unlikely fans reveal themselves to you?
Oh, all the time! About 10 years ago at the Brit Awards, Eminem was performing and I wanted to meet him. So I go to his 7-foot security guard and tell him I want to say hi. I walk in, and Marshall [Mathers, Eminem’s real name] comes running up to me, hugs me, and says, “I watched your show as a kid — you were a huge influence on me.” So I said, “Oh, so it’s my fault!” I’m not a huge fan, to be honest, but I love “Monster” with Rihanna.

Anyone else?
Yeah, Ozzy Osbourne. When I was competing on “Dancing With the Stars” [in 2009], Kelly Osbourne was against me in the finals. During the live telecast, we went backstage and Ozzy was there. I remember he said [adopts surprisingly decent Birmingham, England, accent], “Donny Osmond! I want you to know that ‘Crazy Horses’ [the Osmonds’ uncharacteristically heavy 1972 hit] is one of my favorite rock ’n’ roll songs.”

Besides “Monster,” what other contemporary music interests you?
I don’t close my mind to anything. I watched the Grammys and thought Gaga was OK, but she had way too much emphasis on technology. What they did for Lionel Richie was a crime — there was no production, it was just a bunch of singers. Tori Kelly and James Bay were great together. Kendrick Lamar was the best thing about the whole show.

You and Michael Jackson were friends as kids, but how often were you in touch as adults?
We would talk on the phone and compare stories. We both became famous at the same time in the ’70s, and then he left me in the dust in the ’80s! Michael told me around that same time that I should release my music without my name. He said my name was poison. I said, “Thank you very much, that’s quite offensive!” But he was right, because that’s how “Soldier of Love” [1989] became a hit. It was released as “Mystery Artist” because we were afraid radio wouldn’t play it if they knew it was me.Did you ever consider trying to sex up your image?
In the 1980s, I was told by former p.r. people that I should get busted for drugs. “It’ll give you street cred, and you’ll be back on the charts.” I went home and thought, “This is gonna work.” But then I remembered I have children — what are they gonna think? There’s no way I’m gonna sell myself out.

Did you ever consider using “Donald” instead of “Donny”?
Yeah, I released an album called “Donald Clark Osmond” in 1977. I thought it was gonna change things for me, but no, I’m Donny Osmond! Besides, it’s not like Stevie Wonder ever changed his name to Steve Wonder.

Donny Osmond is performing at Staten Island’s St. George Theatre Sunday at 7:30 p.m. Tickets from $50; stgeorgetheatre.com.

credit by:http://nypost.com/2016/03/11/eminem-has-a-man-crush-on-donny-osmond/

Why frat-boys are having a gay old time at this piano bar

On a chilly weeknight, Howl at the Moon, a new “dueling piano bar” in the heart of the Theater District, is the hottest place in town.“This is the best time for a kick line,” musician James Nathan Hopkins tells the crowd during a performance of Dexys Midnight Runners’ “Come On Eileen.” On cue, dancers rowdily join together during the song’s crescendo while observers on the balcony cheer wildly.Since its January opening, the two-story bar — part of a nationwide chain — has drawn raucous crowds of frat types who’ve aged out of Brother Jimmy’s.
The draw? Two piano players, face to face, pitted against each other on the main stage, with additional musicians backing them up.That and the 86-ounce buckets of booze filled with drinks such as the “Adios Mofo” (pretty much a Long Island iced tea on steroids, $38, serves four).

“I moved here from Boston to see the true artistic scene,” says 24-year-old Anna Rofsky, who lives on the Upper East Side. “And I didn’t find it till this place.
“When he sings John Legend it’s magical,” she adds, nodding at Hopkins onstage.

It’s one big singalong here, where the requests pour in — including lots of ’90s and ­early-aughts hits to reminisce to. Patrons with the chops — and the moxie — rush the stage to sing alongside the pros.“You’re never going to get the same show twice,” explains Hopkins, who says the casts of nearby Broadway shows are known to swing by post-performance. On this recent night, the crowd is purely amateur, but that doesn’t seem to bother anyone.

“We’re into cheap beer,” says 24-year-old investment banker Jon Brady, who’s swigging drinks at the bar with a bunch of pals. “No matter how cliché ‘Sweet Caroline’ is, I love it!”

credit by:http://nypost.com/2016/03/12/why-frat-boys-are-having-a-gay-old-time-at-this-piano-bar/

Sunday, March 6, 2016

Hillary Clinton Is Riding High — That’s the Problem

Hillary Clinton could be in for some political peril.

Sure, by winning 11 of the 17 contests since her New Hampshire drubbing, and running away with the delegate count, she’s not far from sewing up the Democratic presidential nomination. It’s the Republicans, not the Democrats, who face bitter divides that endanger the party’s future.

Mrs. Clinton is riding high; that’s the problem.

“Her history is that whenever she gets ahead and looks in good shape, she reverts to her worst form,” said Peter D. Hart, a leading Democratic pollster, citing Mrs. Clinton’s stellar first debate performance.

The Democrats’ confidence is based on the perceived folly of Republicans’ nominating Donald J. Trump. But a lot can change in a few months and the Democrats’ own house has some needs. There is a demonstrable lack of enthusiasm about Mrs. Clinton, the likely nominee, underscored by the low turnouts in most contests. She is identified as part of the establishment by a restless electorate, and she is neither especially liked nor trusted by many swing voters, and even some Democrats.

“She seems out of sync with the electorate,” J. Ann Selzer said after looking at the surveys conducted by her firm, Selzer & Company, for Bloomberg, as well as primary exit polls. “For someone who started her campaign on a listening tour she doesn’t seem to be listening.”

Mrs. Clinton’s likability issues go back a ways. In New Hampshire eight years ago, Barack Obama cracked, “You’re likable enough, Hillary.” The lack of trust is more recent.

Her shortcomings, as perceived by voters, would change little.

“She laps the field on competence and skills to do the job,” Mr. Hart said. “What she needs to do is neutralize the personal distaste.”

He suggested that “she needs an event most days that is personal, human, sometimes even light.” He added that the public needs to see more of the emotional side she displayed at a town hall in December, when she comforted a girl with asthma who had been bullied.

David Plouffe, who managed Mr. Obama’s winning campaign against Mrs. Clinton eight years ago, concurs, noting that it’s a myth that voters know all about her given that she has been around for a quarter century: “The key in this race is to define the race, her opponent and herself.” Mr. Plouffe said this definition has to be “authentic” and “tied to her sense of advocacy, which would reveal interesting sides of herself.” If she did this well, he added, it could offer a comparative advantage with Mr. Trump — “this is a place he can’t go.”

The trustworthiness problem is deeper, more difficult. It stems from some issues that are unfair to her, such as the 2012 terrorist attack on a United States diplomatic installation in Benghazi, Libya, in which four Americans were killed. Capitol Hill Republicans tried and failed to use the incident to tarnish her. But some of her wounds are self-inflicted, such as her use of a private email server as secretary of state and the huge speaking fees she received for private talks to Wall Street companies.

Democratic strategists suggest that there’s no easy way to deal with it.

Some talk about her doing a so-called Sister Souljah moment, a reference to her husband’s criticism of a black rapper in 1992. This would require Mrs. Clinton to take an unpopular, even risky position, displaying courage — a character point. That, however, is probably not in her political DNA.

A general election campaign against Mr. Trump would be filled with fear and loathing. His Republican rivals Jeb Bush, Marco Rubio and Ted Cruz can tell her how dirty the fight against the New York billionaire can get.

Leading Democrats are confident that with her superior knowledge and intellectual agility, she can handle this. What worries them more is her recurring tendency, when on top, to show hubris.

credit by: http://www.nytimes.com/2016/03/07/us/politics/hillary-clinton-is-riding-high-thats-the-problem.html?ribbon-ad-idx=6&rref=politics
 

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